A worthwhile descussion on the state of recorded music but ignores classical and jazz.
Bill Douglas hipped me this analysis of at
Lester Young "Do the Math."
I can't tell you how much I admire
El Ultimo Trago by Concha Buika and Chu Chu Valdez. Plus, it sounds absolutely sensational.
I've become fascinated by the music of
Morten Feldman. The pieces are so long, nothing seems to happen: preeminent modernism but the antithesis of what we think of as modern.
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